And so the Lana Del Rey-bashing economy moves faster than the actual Lana Del Rey economy, a reminder of how free people feel to clobber someone, especially a young woman, for the crime of art. Not always artful art, but that matters less than the elevation of the mundane into something worth exploding. Ms. Del Rey generates so much anger precisely because she does so little. People don’t know what to do with this unformed thing they’ve been told they need to care about; crushing it is easy, almost humane.

Jon Caramanica’s take on Lana Del Rey is among the best pieces of pop criticism you’ll ever read in a newspaper.

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